MichaelFarquharson

Music from “Aberfan”

ABERFAN WALES 1966Over the next few posts, I would like  to give you samples of piano music from our recent, first recording sessions, in order of their appearance in the piece.

In the beginning is “Rain Sequence”.  Here is an excerpt in which you hear the gentle, gradual layering of pianos one upon another, coming to represent “over a week of heavy rainfall” prior to the Aberfan Disaster:

 

Both Michael and I are deeply excited to continue recording, but we’ll need your support to do so.  Every donation is greatly appreciated.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501 (c)(3), tax-exempt organization.  Contributions are tax deductible.

Photo IC Rapoport, Aberfan 1966, one which will become part of the multimedia presentation of Aberfan (7 pianos, percussion, voice and tools of rescue).

Meet Michael Farquharson

Michael Farquharson will be producing Aberfan.

We met several years ago while recording my last album, Talon of the Blackwater.  He played fretless bass — I loved it!  Out of all of his incredible playing, here’s one of my favorite clips:

“I Was Once a Sailor”  LYRICS  

Little did I know then that producing was one of his passions, too.  In fact, last year I had a dream of the most fabulous rhythms being played during a recording session of one of my songs.  Michael was producing.  He was saying “Yes!  Yes!  Yes!”  Even inside the dream, I knew of it’s providential message.

We’ll be working at his studio in Boston, Mix One.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501 (c)(3), tax-exempt organization.  Contributions are tax deductible.  This recording cannot happen without your support.  Every donation helps!

Aberfan (7 pianos, percussion, voice and tools of rescue)

ABERFAN WALES 1966On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.

Envisioned at the crossroads of modern music, experimental media and environmental justice, my new composition Aberfan incorporates excerpts from a folk song my mother wrote following the 1966 disaster, as well as hymns — one the children would have sung at morning assembly that day and another sung at the mass funeral less than one week later.  Music will be presented in live performance, immersive installation and exhibition with black & white photographs — such as the one above — taken by Life photo  journalist IC Rapoport, who went to Aberfan to “photograph the psychic mess”.

MUSIC SAMPLES  of work in progress

By addressing the visceral, personal experiences of the disaster, Aberfan investigates how art, together with technology, can be used for experiential transformation, while implying the disaster’s universal relevance as an almost-forgotten humanitarian crime against a future generation.

I am seeking support to fund the recording and presentation of this project.  

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A psychological and spiritual rendering as much as a musical one, Aberfan is an excavation into my own soul. As Alice Miller discovered the trauma of her own childhood through spontaneous painting and wrote about in her many books, Aberfan propelled itself through me.  This is the story of power and destruction wrought over all the world in the willful, negligent and unconscious devastation upon the most vulnerable and the call to transform, through my music, the inscrutable events.

COLLABORATORS:

Michael Farquharson  Studio Producer / Engineer, Mix One Studios, Boston, MA

Ian Smith-Heisters  Media Design, Berkeley, CA

Denise Wallace-Spriggs  Art Direction, Boston, MA

PHOTOGRAPHS

PRESS

RADIO INTERVIEW   “I see [Aberfan] as the epitome of the folk process, because folk music, in all its definitions, is about stories.” (Nick Noble, WICN)

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.  All donations will be acknowledged on my website and project page unless requested kept private.

If sending a check, please make payable to NYFA & mail to:  Vault of the Valley Music, 27 Abbott Street, Greenfield, MA, 01301.

Here is a demo sample of voice and piano parts:  

“Their daily rendition [in morning assembly, 9am] of ‘All Things Bright and Beautiful’ – a hymn written a few miles away in the bucolic tranquillity of the Usk Valley – was postponed that day.

They would sing it before they went home when the head teacher planned to wish her pupils a safe and enjoyable holiday.” (Aberfan:  A Mistake that Cost a Village its Children, by Ceri Jackson, BBC News, October 21, 2016)

The catastrophic collapse occurred about 9:15am.

Aerial view, October 21, 1966, courtesy of AGU Blogosphere

(Photo top of page by IC Rapoport 1966)

Aberfan is funded in part by Puffin Foundation, Thendara Foundation, Puffin Foundation West and Deupree Family Foundation.

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“…Continuing the dialogue between art and the lives of ordinary people.”

thendara foundation

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deupreefamilyfoundation