Art that is simply willed is not art.” (Thomas Merton)
Several concepts were embedded in the process of composing Aberfan. These became emotional and compositional imperatives, apparent only as I went along: chaos, the spiraling of events, silence after trauma, the absolute necessity that what wrenches, what pulls at the heart and hurts, be contained in the tension between how things were and how things could have been.
I am honored to announce that Aberfan has been awarded a $5,000 grant from M.S. Worthington Foundation of Nantucket, MA. With their support and belief in the value of this large work — so resonant in these current times of despair and upheaval — we will be able to return to the studio to continue recording.
“The MS Worthington Foundation is proud to support your mission. Thank you for your good work!” writes Sabrina Elwell, President.
This is the story of power and destruction wrought over all the world in the willful, negligent and unconscious devastation upon the most vulnerable and the call to transform, through my music, the inscrutable events. A psychological and spiritual rendering as much as a musical one, Aberfan is an excavation into my own soul.
This is Ronnie Davis, the first boy photographed by IC Rapoport in the aftermath of the tragedy. He lost his older brother in the landslide. His house, close to the school, was destroyed. Out walking his dog, he looked about the ruins of his house.
“Altered Rain” is a demo excerpt of piano parts from my new composition Aberfan. Conceived to represent the thousands of people coming down the hillside following the mass funeral on a “windswept, grey” Thursday less than one week after the disaster, this musical section turns “Rain Sequence” — which occurs at the beginning of the composition, before the landslide –upside down.
From one of our email exchanges, his words: “The team in the mortuary were composed entirely of Regional Crime Squad Officers drawn from all over Wales….We were tasked to set up a mortuary, and identify the 144 victims of the disaster. I was designated the Senior Identification Officer and worked with my team in the mortuary at Bethania Chapel in Moy Road, Aberfan for 15 days until the last body, and body piece, was identified.
Aberfan was a small village. No police station, no town hall, no gymnasium which was why we had to use the totally inadequate facilities of the Sunday school room at the rear of the chapel for receiving, washing the bodies etc. and the body of the chapel itself to place the bodies for viewing. Once a body had been identified and the cause of death recorded by a pathologist, without exception asphyxiation and multiple crush injuries, Death Certificates needed to be issued.
It now sounds very incongruous and bizarre but they were issued from a local land mark, the village fish and chip shop.
In my handwriting, a notice was placed on the door of the chapel directing families to that location.”
I am deeply grateful for all that he has passed on to me.