modern composition

ABERFAN: 56TH ANNIVERSARY 10.21.22

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste collapsed on a primary school and nearby houses, killing 116 children and 28 adults.

Aberfan: The mistake that cost a village its children

By Ceri Jackson, BBC News

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization. 

Image courtesy South Wales Police Museum, 1966

Aberfan: 55th Anniversary 10.21.21

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste collapsed on a primary school and nearby houses, killing 116 children and 28 adults.

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible and ensure completion of its recording in the studio.

Anonymous Grant Goes to “Aberfan (7 pianos, voice and tools of rescue)”

“My unpublished works cried out that they wanted to live.” (The Oak and the Calf: A Memoir, Aleksandr Solzhenitsyn)

This past month, I received word that Aberfan would be awarded a grant, enough to go back into the studio and continue recording. Been a long time. I wouldn’t be able to do it otherwise. A tremendous gift, tangible and intangible.

Aberfan is an expression of the collective unconscious of our time.  A psychological and spiritual rendering as much as a musical one, it is an excavation into my own soul.  Propelling itself through me, Aberfan is the story of power and destruction wrought over all the world in the willful, negligent and unconscious devastation upon what is most vulnerable in ourselves and in others, and the practice of transforming what cannot be fathomed through my music.  

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible. Your contribution ensures we can return to the studio to complete its recording.

Anonymous Grant Goes to “Aberfan (7 pianos, voice and tools of rescue)”

WIDE VIEW OF ABERFAN DISASTER

Aberfan, 1966

Aberfan (7 pianos, voice and tools of rescue) is an elegy not only for the people of a village who suffered the loss of a generation and the wounded soul of the Welsh who saw their beautiful country destroyed when the coal mines came to the valleys, but for our world, besieged by unbridled industry pillaging the land and its people, exploiting riches for a few.  Aberfan is our entire structure under collapse — the condemnation of a corrupted capitalism and the truth of our entrapment in a world that reduces to rubble all that is sacred.  

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

Photo courtesy of Alan George

(Originally posted October 2016)

In This Desperate Time of Upheaval / Aberfan

We are living now the upheaval — the turning outside what was in, what has long been buried — and must live now to extricate ourselves from what would obliterate good, what is bright and free.

Underbelly, the black water out my dream now burst upon the land, no sorcerer could have done without people. We are in the confines of a trained evil.

Photo courtesy of Alan George, Aberfan, 1966

On October 21st, in the small mining village of Aberfan, a man-made mountain of coal waste collapsed on a primary school and nearby houses, killing 116 children and 28 adults.

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

“The modern world, as Kafka predicted…”

“….has become a world where the irrational has become rational, where lies become true.  And facts alone will be powerless to thwart the mendacity spun out through billions of dollars in corporate advertising, lobbying, and control of traditional sources of information.  We will have to descend into the world of the forgotten, to write, photograph, paint, sing, act, blog, video and film with anger and honesty…”  The World As It Is:  Dispatches on the Myth of Human Progress

Resonating with my own large and looming project Aberfan.  An insistence we not forget.  

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

“Aberfan” One woman’s elegy for a Welsh village’s young disaster victims

Over one year ago, Richie Davis wrote this powerful story for the Greenfield Recorder, our local paper.  Our interview together was the first I had spoken publicly about the composition that had been underway for years.

Aberfan – One Woman’s elegy for a Welsh village’s young disaster victims

Aberfan – One Woman’s elegy for a Welsh village’s young disaster victims (page 2)

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

Photo courtesy of AGU Blogosphere, Aberfan 1966

(Originally posted April 2016)

Tragedy at Aberfan

“Tragedy is not deep and sharp if it can be shared with friends.”  Varlam Shalamov, The Kolyma Tales 

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.

How do you personally account for a violation of this kind except through one’s own soul? 

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

(Originally posted June 2018.)

M.S. Worthington Foundation Awards Grant to “Aberfan”

inside Mix One Studios, Boston

I am honored to announce that Aberfan has been awarded a $5,000 grant from M.S. Worthington Foundation of Nantucket, MA. With their support and belief in the value of this large work — so resonant in these current times of despair and upheaval — we will be able to return to the studio to continue recording.

“The MS Worthington Foundation is proud to support your mission. Thank you for your good work!” writes Sabrina Elwell, President.

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

Aberfan 54th Anniversary 10.21.20

On October 21, 1966, in the small mining village of Aberfan, a man-made mountain of coal waste collapsed on a primary school and nearby houses, killing 144 people — 116 children and 28 adults.

144 musical beats of “Interlude” mark the walk to school on the morning of the Disaster. From Laura Siersema’s Aberfan (7 pianos, voice and tools of rescue).

Posted originally at Mass Cultural Council’s blog ArtSake, a place to dig into the creative, innovative work of Massachusetts artists.  Periodically, they pose questions to artists about issues they face in their work and lives. This month, they asked practitioners in a variety of disciplines, Have you had any important mentors? Who have they been, and how did they affect you?

Laura Siersemacomposer
One day after a session with Maggie, walking down Trowbridge Street in Cambridge, I felt something I had never experienced before in my life. As if slightly elevated above the sidewalk, I was enveloped, cushioned in timelessness. I believed it was the Feminine. Maggie was a Jungian psychoanalyst and we had just begun our long journey together, which would last over years, until her death. Guide through the chronicle and cipher of my dreams, attentive to events whose plumb lines captured our attention in the daylight, Maggie traveled with me on an inner way towards my own creative center: where physical, psychological and musical sensations are one. Where, in fact, I co-create with God. To passage between waking and sleep — courier of images and sounds occasionally glimpsed or heard — where beauty is both dark and light, and the evidence of trauma transformed. What access to rage and powerlessness, survival and resurrection, became the necessity of excavating and composing Aberfan, my work about the 1966 coal mining disaster in Wales – the crushing, dismembering experience of a man-made landslide upon a schoolhouse. I can only assume a sympathetic understanding in my soul.

Laura Siersema is a composer, pianist, vocalist, and poet. Learn more about her ambitious Aberfan, which is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.