Aberfan

Support “Aberfan” With Your Gift

Thank you to those who have already made a donation!  In the past week, $170 has come in!  Your contribution will enable us to return to the studio to record Aberfan. 

Click HERE to give. 

We need $700 more to reach the halfway point!

 

 

 

Please give what you can and tell othersAll gifts are 100% tax deductible.  

 

Photo:  Mix One Studios, Boston

 

Today is Giving Tuesday

“I think back to what Camus wrote about the fact that perhaps this world is a world in which children suffer, but we can lessen the number of suffering children, and if you do not do this, then who will do this?”  (Robert F. Kennedy, in an interview with David Frost shortly before his assassination, when asked how he would he like to be remembered)

Today, Tuesday, November 28, is a global day of giving.  Your contribution will enable us to finish recording Aberfan.  Click HERE to give.   

We’re near $10,000 — push this project over the halfway point!

Please give what you can and tell othersAll gifts are 100% tax deductible.  If you have already contributed to this campaign – thank you for being a part of this!

 

Photo IC Rapoport, Aberfan, 1966

 

Year End Fundraising for “Aberfan”

“Each time a person stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he or she sends forth a tiny ripple of hope.” 
(Robert F. Kennedy, University of Cape Town, the land of apartheid, June 6, 1966)

Create your own ripple — make a tax-deductible donation to Aberfan beginning this Tuesday, a global day of giving that will take place on Tuesday, November 28.  Or at any time of the year.  Use the blue donation button located at the top right side of my website.  

We’re near $10,000 — push this project over the halfway point!

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by  law.

Here is a demo sample of voice and piano parts, “Hymn” and “Rock Sequence”:  

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.  A Tribunal investigating the 1966 events found that the National Coal Board was entirely responsible for failing to act to prevent the disaster, though they were never prosecuted.

Giving Tuesday

Do you believe “art and the encouragement of art is political in the most profound sense”?  (JFK, Remarks on behalf of the National Cultural Center, November 1962)

To affirm this statement, make a tax-deductible donation to Aberfan on #GivingTuesday, a global day of giving that will take place on Tuesday, November 28.  We’re near $10,000 — push this project over the halfway point!

You can give through the blue donate button, located at the top right side of my website.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.  A Tribunal investigating the 1966 events found that the National Coal Board was entirely responsible for failing to act to prevent the disaster, though they were never prosecuted.

(Photo, Getty Images, Aberfan 1966)

Poem for Aberfan

In 2016, Welsh poets Grahame Davies and Tony Curtis were commissioned to write a Sequence of poems, entitled Aberfan Voices, to commemorate the 50th anniversary of the Aberfan Disaster.  Each poem goes with a photograph by IC Rapoport.  This is the second of two posts introducing Grahame and Tony, sharing one each of their poems.

Both Tony and Grahame are serving as humanities scholars for my project Aberfan.  I am deeply honored and grateful for their participation in its unfolding and fullest, true expression.

Here is “Life”, written by Grahame Davies.

Life

Life is too big,

though children never know –

their world a nature-table, miniature,

seeds on a tray, a garden in a jar,

four walls of cut-out prints of autumn leaves

and a calendar that counts to Christmas.

 

Life is too big.

They never tell you that.

You’re never wise enough, never mature.

Take it from me:

your heart is never big enough

to hold it all – the deluge of the dark.

Stars are too distant

and the griefs too great.

 

Life is too big.

We try to make it fit

our columns and our canvases,

our lenses and our lines,

to make the immeasurable commensurate

with what we can contain:

words on a page,

a garden in a jar.

 

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.

Photo IC Rapoport,  1966

 

 

Poem for Aberfan

October 21, 2017 marked the 51st anniversary of the Aberfan Disaster.

To commemorate the 50th anniversary in 2016, Welsh poets Grahame Davies and Tony Curtis were commissioned to write a Sequence of poems, entitled Aberfan Voices, each poem with a photograph by I. C. Rapoport.

Both Tony and Grahame are serving as humanities scholars for my project Aberfan.  I am deeply honored and grateful for their participation in its unfolding and fullest expression.  Over the next few posts I will share their work.  “Where I Was” by Tony Curtis:

Where I was

 

Where were you when the old King died?

Walking to the pit-head with my butties.

 

Where were you for the Peace in Our Time?

In the parlour with Delyth and her mother’s new wireless.

 

Where were you when the bombers came?

Holding the hand of a Bevin Boy in the shivering dark.

 

Where were you when the war ended?

In the bath before our fire, hearing the church bells.

 

Where were you for the Coronation?

A mile underneath her kingdom.

 

Where were you when they put a dog in space?

Down here.

 

What about the missiles in Cuba?

We was well out of reach in the Merthyr Vale: already buried.

 

Where were you when the President was shot?

Checking my lamp and opening my snap.

 

And where were you when you heard about Aberfan?

Mid-shift, working at the face, blinded with dust that the tears

Began to wash, and the mandrel dropped

As my fists clenched, and I heard

The distant howls of men.

 

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.

Photo IC Rapoport,  1966

 

 

 

Art is Radical

If it is truly creative, art is radical.

Art upends institutions and challenges us to examine the very fabric of our being, our society.  We are loosened.

We must re-member ourselves and our reason for living, what greater purpose beyond the tactics of greed, what measurement of a timeless nature, what pattern of the gods.  

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.

“Rain/Rubble”, demo excerpt of pianos from Aberfan.  Life forever altered and forever bound to the two.

Photo from AP Archives , the graves of Aberfan, October 27, 1966.

What is the value of connecting to your soul?

Does connecting to your soul enable you to make good choices for the environment?

In this desperate time of upheaval, as our earth is besieged by unbridled industry pillaging the land and exploiting its riches — embodied by mountaintop-removal coal mining and fracking to extract natural gas — it is urgent we activate a moral and creative counterweight to intellectual arguments for climate change:   awaken the spirit of shared humanity and responsibility that lives in each of us.

Aberfan speaks directly to what is at the heart of our survival as fully actualized beings on a thriving planet — the need to reconnect with our own souls, where one realizes the interrelatedness of all things and greed does not overpower the value of life.  Only then are we impelled to critically examine the impact that our daily choices are having on our environment.

In bearing witness to the specific atrocity of Aberfan we expose our present challenge.  In sensing what is greater than ourselves, we re-envision a sustainable and just future.

On October 21, 1966, in the small mining village of Aberfan, Wales, a man-made mountain of coal waste catastrophically collapsed on a primary school, killing 116 children and 28 adults.

At the crossroads of modern music, experimental media and environmental justice, Aberfan catapults this disaster into the present.  Music will be presented both in exhibition, live performance and participatory installation with photographs taken by Life photojournalist IC Rapoport.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization. Contributions are tax-deductible.

Photo IC Rapoport, Aberfan, 1966

ArtSake: How Have Mentors Affected Your Art?

Posted recently at Mass Cultural Council’s blog ArtSake, a place to dig into the creative, innovative work of Massachusetts artists.  Periodically, they pose questions to artists about issues they face in their work and lives. This month, they asked practitioners in a variety of disciplines, Have you had any important mentors? Who have they been, and how did they affect you?

Laura Siersemacomposer
One day after a session with Maggie, walking down Trowbridge Street in Cambridge, I felt something I had never experienced before in my life. As if slightly elevated above the sidewalk, I was enveloped, cushioned in timelessness. I believed it was the Feminine. Maggie was a Jungian psychoanalyst and we had just begun our long journey together, which would last over years, until her death. Guide through the chronicle and cipher of my dreams; attentive to events whose plumb lines captured our attention in the daylight, Maggie traveled with me on an inner way towards my own creative center: where physical, psychological and musical sensations are one. Where, in fact, I co-create with God. To passage between waking and sleep, courier of images and sounds occasionally glimpsed or heard – where beauty is both dark and light, and evidence of trauma transformed. What access to rage and powerlessness, survival and hope, became the necessity of excavating and composing Aberfan, my work about the 1966 coal mining disaster in Wales – the crushing, dismembering experience of a man-made landslide upon a schoolhouse. I can only assume a sympathetic situation had existed within myself from the very beginning: a spontaneous child disavowed.

Laura Siersema is a composer, pianist, vocalist, and poet. Learn more about her ambitious Aberfan, which is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.

photo from the process of creating the “Altered Interlude” in Laura Siersema’s ABERFAN.

 

In this desperate time of upheaval

We are living now the upheaval — the turning outside what was in, what has long been buried — and must live now to extricate ourselves from what would obliterate good, what is bright and free.  The underbelly, black water out my dream now burst upon the land, no sorcerer could have done without people. We are in the confines of a trained evil.

South Wales Police Museum7

In this dire time for our world, I implore you to share news of my composition Aberfan, catapulting the disaster of 1966 into the present.

Here encapsulates the mission:

Envisioned as a project at the crossroads of modern music, experimental media and environmental justice:  Aberfan is an elegy not only for the people of Aberfan –Wales who suffered the loss of a generation — but for our world, besieged by unbridled industry pillaging the land and exploiting its riches.  The tragedy of Aberfan and the music it informed manifest the abject sorrow and rage resulting from the devastating human and environmental impacts of the fossil fuel industry — embodied by mountaintop-removal coal mining and fracking to extract natural gas.  Aberfan confronts and aims to disrupt our complacency, inciting change in the only way possible — by touching the soul.

Aberfan is participatory.  An immersive space will be created using projection of imagery and semi-transparent scrims, capturing the landscape and people, the tactility of coal, ingrained in their faces. The viewer will move through the space, at times full of unsettling, discordant movement as if being subsumed in an avalanche of slag and at other times nearly silent, inducing pause. One can walk inside, behind and around the moving images, inside of the presentation.

The project will investigate how art, together with technology, can be used for experiential transformation by addressing the visceral, personal experiences of the disaster through image and sound, while implying the disaster’s universal relevance as an almost-forgotten humanitarian crime against a future generation.

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions are tax-deductible to the fullest extent of the law.

As I seek funds enabling me to return to the studio, I urge you to pass this along.

I am deeply indebted to those who have contributed.   Your confidence in and appreciation of this mission in my music has been a mainstay.