Month: November 2019

Two Hymns: Aberfan Funeral 27th. October 1966.

“What hymns were played during the funeral services following the Aberfan disaster of October 21, 1966?”  I posted this question at Old Merthyr Tydfil Forum when searching for answers to questions essential to details within my composition, Aberfan (7 pianos, voice and tools of rescue).

Here is one of the first responses I received:

“My name is Jeff Adams. I used to live in Aberfan (left in 1966 to join the Royal Navy). I used to attend both Pantglas schools and used to, as a boy, play on those tips!  You are lucky. I have been reading as much as I can get my hands on over the past few months regarding the disaster.  Although the local mines had safety inspector engineers the tips did not…unbelievable.

The service itself lasted just 15 minutes (perhaps to spare more grief among the families?).  The first hymn on the sheet was:

‘Loving Shepherd of thy sheep,
Keep thy lambs in safety keep;
Nothing can thy power withstand,
None can pluck them from thy hand.’

The Salvation Army played the music.  It continued:
‘…Loving Saviour thou didst give,
Thine own life that we might live…’

The Bishop of Llandaff read from the Bible. (Among others) The Lord’s prayer was said.  Second hymn was, ‘Jesu Lover of My Soul,’ to the tune of ‘Aberystwyth,’ composed by Joseph Parry (19th. century Merthyr composer) :

…’That of life the fountain art,
Freely let me take of thee;
Spring through up within my heart-
Rise to all eternity.’

5000 silent people on a Welsh hillside, the bitter cold unnoticed.  Fifteen mintues later it was all over.

Taken from the book Aberfan : The Story of a Disaster by Tony Austin Pages 143-144. I suggest you get it from your local library-you’ll be upset throughout it and angry at the National Coal Board for its outright arrogance.”

Of these two hymns, I chose to arrange “Loving Shepherd of Thy Sheep” for Aberfan, calling this section of the music “Final Hymn”.

Laura Siersema is composer of Aberfan (7 pianos, voice and tools of rescue), a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  All donations are tax deductible.  Your contribution ensures we can return to the studio to complete its recording.

Photo courtesy of AP Archives Aberfan, October 1966

Aberfan and “The Crown”: All Things Bright and Beautiful

Yesterday, a friend mentioned she’d  been watching “The Crown” (Netflix) and its recent episode about the Aberfan Disaster.  I hadn’t seen it.

Upon reading one of the stories written about this particular episode (“The Crown” Recap:  All Things Bright and Beautiful), I felt I should share Ceri Jackson’s beautiful 50th anniversary story from a few years ago, which speaks to this hymn, addressing what may be a misconception :

“Their daily rendition [in morning assembly, 9am] of ‘All Things Bright and Beautiful’ – a hymn written a few miles away in the bucolic tranquility of the Usk Valley – was postponed that day.  They would sing it before they went home when the head teacher planned to wish her pupils a safe and enjoyable holiday.” (Aberfan:  A Mistake that Cost a Village its Childrenby Ceri Jackson, BBC News, October 21, 2016)

Until seeing Ceri’s article I had the same misconception:  Several years ago, when I first began to reach out for specific information related to the Aberfan disaster for my own composition, I posted my question about hymns sung at the funeral service at Old Merthyr Tydfil Forum.  Several responses came in, one of which was:  Finally, you may wish to know that during morning assembly (9am.-9-15am) the children sang:  ‘All things bright and beautiful, the lord God loves them all.’

In composing Aberfan, it has been imperative that the facts of that day be honored, that in creating the sequence of musical events, I know what the actual events were. My arrangement of “All Things Bright and Beautiful” (called “First Hymn”) is placed in the music right after “Interlude” in which the children are walking to school, only to be interrupted by the catastrophic collapse, “Rock Sequence”.

Given that “All Things Bright and Beautiful” was typically sung during morning assembly, I felt it was fitting for it to remain in the composition.  Here is a demo sample:  Excerpt from Aberfan, “First Hymn”

Aberfan is a sponsored project of New York Foundation for the Arts (NYFA), a 501(c)(3), tax-exempt organization.  Contributions on behalf of Aberfan must be made payable to NYFA, and are tax-deductible to the extent allowed by law.

Photo courtesy of South Wales Police Museum.  Aberfan, 1966